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Michael Jennings is a genius who is hired (and paid handsomely) by high-tech companies to work on highly sensitive projects, after which his short-term memory is erased so that he is incapable of breaching security. But at the end of a three-year job, he is told that he will not be receiving a paycheck and instead receives a mysterious envelope. Inside it are clues that he must piece together to figure out why he was not paid and why he is now in trouble.

Credits: The movie db.

Distribution of film:

  • Michael Jennings: Ben Affleck
  • Rachel Porter: Uma Thurman
  • James Rethrick: Aaron Eckhart
  • Short: Paul Giamatti
  • John Wolfe: Colm Feore
  • Agent Dodge: Joe Morton
  • Agent Klein: Michael C. Hall
  • Rita Dunne: Kathryn Morris
  • Sara Rethrick: Claudette Mink
  • Attorney General Brown: Peter Friedman
  • Maya-Rachel: Ivana Miličević
  • Stevens: Christopher Kennedy
  • Agent Fuman: Fulvio Cecere
  • Agent Mitchell: John Cassini
  • Jude – Guard: Callum Keith Rennie
  • Jane: Michelle Harrison
  • Betsy – Seller: Emily Holmes
  • Scientist: Kendall Cross
  • Scientist: Catherine Lough Haggquist
  • Holographic Woman: Krista Allen
  • Street Child: Ryan Zwick
  • Guard: Dee Jay Jackson
  • William Dekker: Serge Houde
  • The Balloon Boy: Calvin Finlayson
  • Plainclothes Federal Agent: Darryl Scheelar
  • Lottery Host: Mark Brandon
  • Lottery Official: Roger Haskett
  • Allcom Helicopter Pilot: Steve Wright
  • FBI Helicopter Pilot: Craig Hosking
  • Suit: Barclay Hope
  • Costume: Peter Shinkoda
  • Suit: David James Lewis
  • String Quartet: Robert Clark
  • String Quartet: Andrea Siradze
  • String Quartet: Isabelle Roland
  • String Quartet: Peter Caton
  • Husband: Ryan Robbins
  • Wife: Benita Ha
  • Young mother: Chelah Horsdal
  • Concierge: Craig March
  • Wolfe’s Bully: Jason Calder
  • Wolfe’s Bully: Mike Godenir
  • Wolfe’s Bully: Brad Kelly
  • Wolfe’s Bully: Brent Connolly
  • Daycare Client: Michelle Anderson
  • Daycare Client: Lori Berlanga

Film crew:

  • First Assistant Director: Arthur Anderson
  • Editor: Christopher Rouse
  • Editor: Kevin Stitt
  • Screenplay: Dean Georgaris
  • Cast: Mindy Marin
  • Director of Photography: Jeffrey L. Kimball
  • Producer: John Woo
  • Original musical composer: John Powell
  • Producer: John Davis
  • Producer: Terence Chang
  • Producer: Michael Hackett
  • Executive Producer: David Solomon
  • Co-producer: Caroline Macaulay
  • Unit Production Manager: Stratton Leopold
  • Assistant Editor: Kris Cole
  • Best Electric Boy: Jeff Harvey
  • Rigging: Cliff Cenerini
  • Security: Corinna Gagnon
  • First assistant editor: Carolle Alain
  • Location Manager: Bruce L. Brownstein
  • Score Mixer: Shawn Murphy
  • Assistant Art Director: Nancy Anna Brown
  • Camera Operator: Ciaran Kavanagh
  • Stunt Coordinator: Gregg Smrz
  • Researcher: Chris Allen
  • Construction Coordinator: Craig Henderson
  • Production Design: William Sandell
  • Utility Stunts: Paul M. Lane
  • Chief Rigging Officer: Bruce Borland
  • Concept design: Natasha Rand
  • Music Editor: Sally Boldt
  • Sound Effects Editor: Christopher Asells
  • Additional editing: Derek Brechin
  • Post Production Supervisor: Kiki Morris
  • Script Supervisor: Cate Hardman
  • Electrician: Jesse Deacon
  • Sound mixer: Chris Glyn-Jones
  • Unit Manager: Yvonne Melville
  • Art direction: Sandy Cochrane
  • Additional Camera: Lance Fisher
  • Hairstylist: Susan Boyd
  • Lighting Artist: Alex Murtaza
  • Production Manager: Casey Grant
  • Digital composers: Jason Booth
  • Hair designer: Ilona Herman
  • Set costumes: Marco Pimenta
  • Computer Graphics Supervisor: Rusty Ippolito
  • Visual Effects Coordinator: Ian Cope
  • Visual Effects Supervisor: Chris Bond
  • Sound Designer: Alan Rankin
  • Production Illustrator: Brent Boates
  • Steadicam operator: Junichi Hosoi
  • Hairstylist: Stacey Butterworth
  • Additional music: TJ Lindgren
  • Carpenter: Janice Lynn Coats
  • Visual Effects: Pam Hammond
  • Special Effects Coordinator: Al Di Sarro
  • Transportation Coordinator: Mike Sassen
  • Transportation Coordinator: Blue Angus
  • Video Assistant Operator: Tony Rush
  • Supervising sound editor: Per Hallberg
  • 3D Supervisor: Conrad Dueck
  • Makeup artist: Emanuela Daus
  • Leader: Pat Waller
  • Color Timer: Dennis McNeill
  • Lighting Technician: Dave Roughley
  • Assistant sound editor: Anne Couk
  • Sound Engineer: John Bires
  • Costume Design: Erica Edell Phillips
  • Digital Effects Supervisor: Patrick Kavanaugh
  • Double: Claire Smithies
  • Stunts: Mark Aisbett
  • Boss: Dan Delgado
  • Production Coordinator: Jasmine Barry
  • Publicist: Bronwyn Preston
  • Orchestrator: Bruce Fowler
  • Visual Effects Producer: Denise Davis
  • Photographer: Douglas Curran
  • Head Stylist: Thom MacIntyre
  • Craft Service: Jason Ybarra
  • System Administrators and Support: Shawn Wallbridge
  • Co-Captain of Transport: Ryan Moroz
  • Production Accountant: Maryjane Layani
  • Set decoration: Elizabeth Wilcox
  • Art Department Coordinator: Slava Shmakin
  • Post Production Assistant: John Dietrick
  • Pole Operator: Kristian Bailey
  • First Assistant Camera: Bob Findlay
  • Decorator: Dennis Simard
  • Title Designer: Garson Yu
  • Tech Crane Operator: Bryan Fletchall
  • Director: Gavin Greenaway
  • Story Editor: Marc Marcum
  • Property Manager Assistant: Brian Epp
  • Conceptual illustrator: Adrien van Viersen
  • Assistant Sound Editor: Ronnie Morgan
  • ADR Editor: Zack Davis
  • Aerial Director of Photography: Phil Pastuhov
  • Wrist Grab: Michael McLellan
  • Grip: Karl Harrison
  • Supervising ADR Editor: Robert Ulrich
  • Musician: George Doering
  • Third Assistant Director: Daniel Mansfield
  • Assistant Production Coordinator: Rhiannon A. Charles
  • Second Assistant Director: Jamie Marshall
  • Decorator Assistant: Tristan Oliver
  • Casting assistant: James McKenzie Moore
  • Chief Control Officer: Steve Smith
  • Foley Editor: Willard Overstreet
  • Story: Philip K. Dick
  • Property Master: Grant Swain
  • Sound Engineer: Brian Basham
  • Dialogue Editor: Mike Szakmeister
  • Stunts: Joe Doserro
  • Stunts: Keii Johnston
  • Assistant location director: Flemming Lund
  • Client: Jenny Eagan
  • Second Additional Assistant Camera: Alan Jacoby
  • Assistant Accountant: Tina Dawson
  • Casting Extras: Andrea Brown
  • Key Production Assistant: Leon Thomas Braun
  • Costume Supervisor: Isabel Bloor
  • The Daily Grip: Paul T. Murakami
  • Stuntman: Corry Glass
  • Generator Operator: Roger Bailey
  • Set Painter: Shaun Bullied
  • Wrist Grab: Reid Cohoon
  • General Manager: Donald Fly
  • Foley Artist: Robin Harlan
  • Best Child Grip: Paul Arnel
  • Construction Buyer: Maureen Carey
  • Assistant Lighting Technician: Jim Rose
  • Second Assistant Production Coordinator: Breanne Larrett
  • Additional Assistant Director: Cameron Kuc
  • Graphic designer: Keli Manson
  • Computer Graphics Artist: John Cassella
  • First Assistant Production Coordinator: Adrienne Sol
  • Production Assistant: Cory Lee
  • Makeup Assistant: Cindy Barlow
  • Chief Greens Officer: Dave Emmonds
  • Special Effects Technician: Eric Milner
  • Assistant Director: Ashley Bell
  • Second Unit Director: Brian Smrz
  • ADR Mixer: Alex Raspa
  • Visual Effects Production Assistant: Allen Tracy
  • Head of composition: Christine Albers
  • Painting coordinator: Jean-Paul Costaz
  • Second Assistant Camera: David Lourie
  • Location Assistant: Mark Maxson
  • First Assistant Accountant: Karen Bergen
  • Payroll Accountant: Michele Lee
  • Dresser: Meg Matthews
  • Truck Client: Sondra Durksen
  • Assistant Property Manager: Don Anderson
  • Sound mixer: Randy Singer
  • Special effects assistant: Sylvain Houle
  • Assistant Camera: Kevin Haverty
  • Third Assistant Director: Michael Collins
  • Property Buyer: Aleya Naiman
  • Location Coordinator: Paisley Shaw
  • Visual Effects Editor: Linda Drake
  • Stunt Driver: Shane Cardwell
  • Rotoscoping artist: Cecile Tecson Broas
  • Storyboard Artist: Raymond Dumas
  • Stunts: Doug Chapman
  • Stunts: Rick Pearce
  • Stunts: Gilbert B. Combs
  • Stunts: Jimmy N. Roberts
  • Stunts: Andrea Kinsky
  • Stunts: Brett Armstrong
  • Stunts: Owen Walstrom
  • Stunts: Guy Bews
  • Stunts: Celia Bond
  • Stunts: Scott J. Ateah
  • Stunts: Jake Brake
  • Stunts: John Branagan
  • Stunts: Curt Bonn
  • Stunts: Jason Calder
  • Stunts: Mike Crestejo
  • Stunts: Leanne Buchanan
  • Stunts: Garvin Cross
  • Stunts: Mike Desabrais
  • Stunts: Vince Crestejo
  • Stunts: Duane Dickinson
  • Stunts: Diana Dutra
  • Stunts: Mike Dopud
  • Stunts: Ryan Ennis
  • Stunts: Bill Ferguson
  • Stunts: Dane Farwell
  • Stunts: Rob Fournier
  • Stunts: Tom Glass
  • Stunts: Alex Green
  • Stunts: Bruce Fontaine
  • Stunts: Randy Hall
  • Stunts: Kim Howey
  • Stunts: Adrian Hein
  • Stunts: Kathy Hubble
  • Stunts: David Jacox
  • Stunts: Terry Jackson
  • Stunts: Ken Kirzinger
  • Stunts: Bob Kursar
  • Stunts: Larry Lam
  • Stuntman: Jon Kralt
  • Stunts: Terrance Leigh
  • Stunts: Don Lew
  • Stunts: Seth Longworth
  • Stunts: Cotton Mather
  • Stunts: William Lawrence
  • Stunts: Steven McMichael
  • Stunts: William Morts
  • Stunts: Tom McComas
  • Stunts: Scott Nicholson
  • Stunts: Gerald Paetz
  • Stunts: Daniel B. Melles
  • Stunts: Dan Redford
  • Stunts: Raymond Sammel
  • Stunts: Darryl Scheelar
  • Stunts: John Sampson
  • Stunts: Dan Shea
  • Stunts: Rick Seaman
  • Stuntman: Sharon Simms
  • Stunts: Kimani Ray Smith
  • Stunts: Mary Ann Skoll
  • Fight Choreographer: Ronn Surels
  • Stunts: Heath Stevenson
  • Stunts: Frank Torres
  • Stunts: Angela Uyeda
  • Stunts: John Wardlow
  • Stunts: Claire Webb
  • Stunts: René Van Hullebush
  • Stunts: Rob Wilton
  • Stunts: Paul Wu
  • Stunts: Roxanne Wong

Film reviews:

  • Rob: Oh my god, this movie is pretty bad. There are a lot of faces in it, but none of them could save this mess. Which is a shame, because it could have been a really intense and exciting movie in the hands of another director. Instead, it feels like a made-for-TV movie. John Woo’s direction is mediocre and cliché, the editing is lame, and the soundtrack is overwrought, inappropriate, and downright intrusive.





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