Responding to political stress from Senator Lillian DeHaven, the US Navy begins a program that may permit the eventual integration of ladies into its providers. This system begins with a single check candidate, Lieutenant Jordan O’Neil, who’s chosen particularly due to her femininity. O’Neil enters the grueling coaching program below the command of Grasp Chief John James Urgayle, who unfairly pressures O’Neil till her willpower earns his respect.
Credit: The MovieDb.
Distribution of movie:
- Lieutenant Jordan O’Neil: Demi Moore
- Grasp Chief John James Urgayle: Viggo Mortensen
- McCool: Chestnut Morris
- Flea: Josh Hopkins
- Cortes: David Vadim
- Slovak: Jim Caviezel
- Wickwire: Boyd Kestner
- Pyro Teacher: Kevin Gage
- Johns Teacher: David Warshofsky
- Royce: Jason Beghe
- Senator Lillian DeHaven: Anne Bancroft
- CO Salem: Scott Wilson
- Theodore Hayes: Daniel von Bargen
- Newberry: Angel David
- Blondell: Lucinda Jenney
- Chief of Employees: John Michael Higgins
- Print: Stephen Ramsey
- Miller: Gregg Bello
- Flag Officer: Ted Sutton
- Flag Officer: Gary Wheeler
- Yeoman Davis: Donn Swaby
- Goldstein: Jack Gwaltney
- Obligation Officer: Neal Jones
- Civil Secretary: Rhonda Overby
- Admiral O’Connor: Stephen Mendillo
- Kudos from the chef: Dan DePaola
- Civilian Woman: Susan Aston
- TIP: John Seitz
- TIP: Kent Lindsey
- WNM Reporter: Bob Moore
- Gunnery Teacher: Harry Humphries
- Fee Spokesperson: Michael Currie
- Press hound: Steve Gonzales
- Hairstylist: Arthur Max
- Photographer: Billy Dowd
- Teacher: Duffy Gaver
- Teacher: Scott Helvenston
- Hostile Rat: Phil Neilson
- Trainee: Dimitri Diatchenko
- Apprentice: David Bruce
- Apprentice: David Overton
- Apprentice: Hashem Shaalan
- Apprentice: Chris Soule
- Libyan Sentinel: Joseph Makkar
- Scorpion Chief (uncredited): Rick Cramer
- Staff Scorpion Member (uncredited): Mel Mede
- Pilot (uncredited): Jesse G. Martin
- Humvee driver (uncredited): Rocky Essex
- Teacher (uncredited): Jim Pearson
- Apprentice (uncredited): Wyatt Werneth
- Apprentice (uncredited): Daniel Hyperlink
- Senator (uncredited): Raymond H. Johnson
- DeHaven assistant (uncredited): Dani Englander
- DeHaven assistant (uncredited): Irene Ziegler
- C-SPAN Reporter (uncredited): Michael Wayne Thomas
- C-SPAN Technician (uncredited): Rodney J. Hobbs
- Jane’s Neighbor (uncredited): Diandra Newlin
- DC Police Officer (uncredited): Thomas Reid
Film crew:
- Director: Ridley Scott
- Stage Ornament: Cindy Carr
- Government Producer: Danielle Alexandra
- Producer: Suzanne Todd
- Costume design: Marilyn Vance
- Authentic Music Composer: Trevor Jones
- Second Unit Director: Hugh Johnson
- Producer: Demi Moore
- Modifying: Pietro Scalia.
- Forged: Louis DiGiaimo
- Producer: Roger Birnbaum
- Screenplay: David Twohy
- Artwork route: Richard L. Johnson
- Forged: Brett Goldstein
- Specialist Coordinator: Phil Neilson
- Utility Stunts: Scott Helvenston
- Utility Stunts: Duffy Gaver
- Utility Stunts: Mark Lonsdale
- Utility Stunts: Steve Bolan
- Utility Stunts: G. Peter King
- Stunt double: Leigh Hennessy
- Stuntman: Keith Woulard
- Stunts: Darrin Prescott
- Stunts: Chris Soule
- Stunts: Charles Grisham
- Stunts: Brian Finn
- Stunts: Hash Shallan
- Stunt double: Cinda-Lin James
- Government Producer: Julie Bergman Sender
- Government Producer: Chris Zarpas
- Unit Manufacturing Supervisor: Nigel Wooll
- First Assistant Director: Terry Needham
- Affiliate Producer: Diane Minter Lewis
- Affiliate Producer: Tim McBride
- Unit manufacturing supervisor: Michele Imperato Stabile
- Second Assistant Director: Darin Rivetti
- Second Assistant Director: Adam Somner
- Script supervisor: Luca Kouimelis
- Digicam Operator: Craig Haagensen
- Digicam Operator: Terry Bowen
- Manufacturing Controller: Andy Birmingham
- Technical advisor: Harry Humphries
- Supervising Artwork Director: William Hiney
- Air Coordinator: David Paris
- Costume Supervisor: David Rawley
- Key Make-up Artist: Cheri Minns
- Manufacturing Sound Mixer: Keith A. Wester
- Property Grasp: Eric J. Bates
- Boss: Chuck Finch
- Manufacturing Supervisor: Daneen Conroy
- Second Assistant Director: J. David Brightbill
- Second assistant director: Christopher Surgent
- Building Coordinator: Dan Pemberton
- Particular Results Coordinator: Steve Galich
- Nonetheless images: Phil Bray
- First Assistant Digicam: Tony Rivetti Jr.
- First Assistant Digicam: Fred L. McLane
- Second Assistant Digicam: Frank D. Parrish
- Second Assistant Digicam: David Brink
- Growth Operator: Timothy P. Salmon
- Video Help Operator: Richard Scarpone
- Further Editor: Pamela Energy
- Affiliate Editor: Chris Innis
- Assistant editor: Chisako Yokoyama
- Assistant Editor: Paul Elman
- Assistant Editor: Tristan Mullane
- Supervising Sound Editor: Campbell Askew
- Dialogue editor: John Cochrane
- ADR Editor: Robert Gavin
- Sound editor: Jeremy Baby
- Foley Editor: John Eire
- Music editor: Andrew Glen
- Assistant Sound Editor: Derek Lomas
- Assistant Sound Editor: Sarah Dane
- Assistant Sound Editor: Adrian Trent
- Sound Rerecording Mixer: Ray Merrin
- Sound Rerecording Mixer: Graham Daniel
- Manufacturing Coordinator: Amy Taft
- Manufacturing Coordinator: Shari Leibowitz
- Deputy Manufacturing Coordinator: Catherine Schwenn
- Submit-production supervisor: Michael Solinger
- Manufacturing Accountant: Gary Gillingham
- First Accounting Assistant: Rick Baer
- Deputy Accountant: Rob Meisenholder
- Accounting Assistant: Chris McComb
- Accounting Assistant: Sarah Millar
- Actor Assistant: Mark Hunter Reinking
- Manufacturing Coordinator: Clare St. John
- Manufacturing Coordinator: Allison Sherman
- Forged of extras: Billy Dowd
- Assistant Artwork Director: Invoice Taliaferro
- Set Designer: Thomas Minton
- Chief: Jon Danniells
- Dresser on set: Chuck Askerneese
- Particular Results: Jeff Frink
- Particular Results: Ray Svedin
- Particular Results: Phillip Beck Jr.
- Particular Results: Morgan Guynes
- Particular Results: Chris Brenczewski
- Particular Results: Ken Gorrell
- Particular Results: Allen Richardson
- Particular Results: Jeff Sparks
- Key Consumer: Joe McCloskey
- Make-up Artist: Brad Wilder
- Make-up Artist: Rodger Jacobs
- Make-up Artist Assistant: Kylie Bell
- Key Stylist: Dorothy D. Fox
- Key Grip: WC ‘Chunky’ Huse
- Greatest Baby Grip: Daniel R. Haizlip
- Grip: Scott W. Leftridge
- Grip: Sean Finnegan
- Grip: Frank Ryan
- Grip: Andrew Taylor
- Grip: Rick Uva
- Grip: Edward ‘Gooch’ Gutierrez
- Grip: Kevin Jackson
- Key Meeting Grip: Steve Owen
- Rigging Technician: Craig Ligget
- Greatest Electrical Boy: Steven Litecky
- Electrician: Andrew Reed Conner
- Electrician: Invoice Fiedler
- Electrician: Michael Goldman
- Electrician: Stuart Bicknell
- Electrician: Todd Ranson
- Electrician: Robert Spencer
- Set Manufacturing Assistant: Adam Collins
- Substitute: Kelly Wroe
- Unit Publicist: Terry J. Erdmann
- Transportation Coordinator: Tommy Tancharoen
- Transport Captain: Lee Garibaldi
- Craft Service: Craig Glaser
- Location Supervisor: Carol Flaisher
- Technical Advisor: Karyn V. Cody
- Rigging Technician: Chris Walters
- Key Rig Grip: Lee Shapira
- Assistant Artwork Director: Rob Simons
- Building Supervisor: Ron Breedlove
- Transport Captain: Gilbert Younger
- Location Supervisor: Mary Morgan
- Transport Captain: Danny Mortenson
- Assistant Location Supervisor: John McSweeney
- Transportation Coordinator: Gene R. Johnson
- Transport Captain: Robert W. Simpson
- Manufacturing Director: Donald Heitzer
- Music Coordinator: Victoria Seale
- Music Supervisor: Kathy Nelson
- Music editor: Alex Marcou
- Further music: Peter Cobbin
- Musician: Paul Clarvis
- Musician: Clem Clempson
- Musician: Charlie Morgan
- Musician: Phil Todd
- Adverse Cutter: Jason Wheeler
- Coloration Timer: Paul Ensby
- Manufacturing Coordinator: Deirdre de Tappan
- Postproduction Coordinator: Marisa Johnston
- Location Supervisor: Ken Haber
- Location Supervisor: Errol Reichow
- Script Supervisor: Marion Tumen
- Key Make-up Artist: Cheryl Markowitz
- Costume Supervisor: Ed Fincher
- Second Unit Cinematographer: Dan Mindel
- First Assistant Home: Invoice McConnell Sr.
- First Assistant Digicam: John Skotchdopole
- Sound Mixer: David M. Ronne
- Growth operator: Jules Strasser
- Greatest Electrical Boy: Jeff Sondberg
- Key Grip: Gary Kangrga
- Artwork route: Virginia Randolph-Weaver
- Property Grasp: Allan Gordon
- Transportation Coordinator: Russell McEntyre
- Key Stylist: Diana Acrey
- Second Firm Grip: Gerrit Garretsen
- Set Physician: Frank Moorefield
- Manufacturing Supervisor: Ned Dowd
- Manufacturing Design: Arthur Max
Film evaluations:
- John Chard: Pay attention, fool! I am right here to remain and when you do not wish to be in my life, you might have two choices. Transfer in or name! That is all! Finish of doc!
- GI Jane is directed by Ridley Scott and written by David Twohy and Danielle Alexandra. It stars Demi Moore, Vigo Mortensen, Anne Bancroft, Jason Beghe, John Michael Higgins and Kevin Gage. The music is by Trevor Jones and the images by Hugh Johnson.
- A senator manages to enroll a girl in Mixed Reconnaissance Staff (Navy Seals) coaching, the place everybody expects her to fail.
- Having made a telling feminist mark together with her glorious Thelma and Louise in 1991, Ridley Scott takes up the feminine baton as soon as once more solely to drop it midway by means of. It is a movie of blended messages, what begins as a worthwhile story involving a girl attempting to beat excessive prejudice in one in every of America’s elite combating forces, ends as a rousing movie during which Jane has ” endowed with males.”
- Issues aren’t helped by the utter ridiculousness of Jane’s remedy by her superior in coaching, Grasp Chief John James Urgayle (Mortensen suitably vile), a lot so that you just’d wish to assume that if that form of factor continues, then arrest. must be made. The silliness additionally manifests itself within the senior officers prancing across the coaching floor on the earth’s tightest shorts, one would assume they should be on their solution to “The Blue Oyster Bar”…
- Issues are additional difficult by the truth that, as dedicated as Moore is to the lead position, and she or he is and offers it her all, you may’t settle for the characterization since you’re merely watching Demi Moore, the actress. She could also be shaven-headed and beefy, however she continues to be one of many highest-paid actresses of her time, with skinny characterization and no depth. The political machinations at work barely have time to breathe; in reality, the important thing tonal political shift on the midpoint receives little consideration.
- The stylization, as you’ll count on from Scott, is superb, as is his management of the standout motion sequences. However the twisted imaginative and prescient of a girl in a person’s world is tough to simply accept, and whereas she entertains, it’s finally a superficial train. 5/10
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