Aradhana Bhola from Fremantle, India reveals her future plans

Fremantle IndiaManaging Director Aradhana Bhola has shed light on the company’s recent foray into fiction series and its ambitious plans for the local market.

Bad cop”, a remake of the German RTL series “Bad Cop: Kriminell Gut” (2017), marked Fremantle India’s entry into the fiction space. The series, which premiered on Disney+ Hotstar, is adapted by Rensil D’Silva of “Bambai Meri Jaan” fame, and directed by Aditya Datt of “Crakk” fame.

The show stars Gulshan Devaiah as Karan, a fierce cop who is chasing Kazbe, a formidable villain played by Anurag Kashyap. The cast also includes Harleen Sethi (“Kohrra”), Saurabh Sachdeva (“Animal”) and Aishwarya Sushmita (“Khakee: The Bihar Chapter”).

“Bad Cop” has achieved remarkable success since it began streaming in late June. It ranked No. 1 on Disney+ Hotstar’s Top 10 Hindi-language shows in India and has maintained that top spot ever since. The show’s popularity is further evidenced by its inclusion on Ormax Media’s list of the top five most-watched streaming shows and movies.

“The premise of the original German series – twin brothers, one of whom is a cop and the other a conman – is what attracted us at first sight. Indian audiences have enjoyed many successful films on twin themes and we were excited by the prospect of reimagining the series from a cultural and hyperlocal context,” said Bhola. Variety.

“And while it has its share of crime, action and thrills, at the heart of ‘Bad Cop’ are relatable universal human themes of right and wrong, choices and consequences, love and betrayal, laced with a healthy dose of humor that made it a worthwhile choice for our first drama series offering,” Bhola added.

While Bhola has been tight-lipped about upcoming dramas, he has highlighted Fremantle’s openness to a range of genres. “We don’t limit ourselves to any one genre; the seed starts with an idea that we’re excited about or passionate about,” he said. The company’s slate of projects in development includes adaptations of Fremantle’s catalogue of global dramas as well as original ideas rooted in Indian culture. “What tends to be common to both is the common thread of human interest and emotion,” Bhola said.

In the non-fiction and reality space, Fremantle continues to develop its established formats. Bhola highlighted the recent launch of the third season of “Telugu Indian Idol,” which premiered to a 26% higher rating than its predecessor. “We continue to create more seasons of our successful formats like ‘Idols’ and ‘Got Talent’ that have entertained audiences for many years, including their regional versions,” he explained.

Asked about plans for true crime and documentary content, Bhola confirmed the company’s interest but kept details under wraps.

A key aspect of Fremantle India’s strategy is to tap into the country’s rich cultural heritage. Bhola emphasised this point by saying, “Whether we are reimagining a format or developing a 100% local idea, we invariably find ourselves immersing ourselves in India’s rich cultural heritage and rich stories. That is where the nuance, relatability, inspiration and distinctiveness of any of our shows comes from.”


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